Agnes Martin
Hardcover monograph by Barbara Haskell, with essays by Anna C. Chave and Rosalind Krauss, published in 1992 by the Whitney Museum of American Art. First edition, 188 pages.
A serene and comprehensive survey of Agnes Martin’s work, this volume traces the artist’s subtle exploration of line, grid, and quiet repetition across painting, drawing, and writing. Produced on the occasion of her major retrospective, it situates her practice within both Minimalism and a deeply personal, spiritual philosophy—where restraint becomes expression and silence becomes structure.
“Delicate, disciplined, and infinite—Martin’s grids dissolve into feeling, each line a meditation on stillness, perception, and the possibility of perfection.”
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Description
Hardcover monograph by Barbara Haskell, with essays by Anna C. Chave and Rosalind Krauss, published in 1992 by the Whitney Museum of American Art. First edition, 188 pages.
A serene and comprehensive survey of Agnes Martin’s work, this volume traces the artist’s subtle exploration of line, grid, and quiet repetition across painting, drawing, and writing. Produced on the occasion of her major retrospective, it situates her practice within both Minimalism and a deeply personal, spiritual philosophy—where restraint becomes expression and silence becomes structure.
“Delicate, disciplined, and infinite—Martin’s grids dissolve into feeling, each line a meditation on stillness, perception, and the possibility of perfection.”
